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Dougald Hine's avatar

Not sure where a piece like this sits in your hierarchy of personal preference, Justin, between the reluctant takemanship and the experimental metafiction, but this reader would be glad to see more of this kind of thing.

And I was reminded of a wonderful sermon I heard last summer from a Swedish priest in a tiny, middle-of-nowhere church. She was preaching on the lost sheep and she said, "It always seemed to me that the ratio was wrong. There are ninety-nine obedient sheep and one lost sheep? That just doesn't sound like humans as I know them. And then I found a commentary in one of the Church Fathers, suggesting that the flock is the whole of creation, and the lost sheep is the humans."

Curiously enough, I'd heard a similar thought from a First Nations man, not long before. "Among all the creatures," he said, "the humans are the only ones who forget how to be what we are, and so the task of the elders is to find ways of remembering."

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Félicia Mariani's avatar

Thank you for this great text Justin. I particularly enjoyed what I'd like to call your "history of hope" in the religious field, as well as the attention paid to the meaningful difference between "cosmos" and "space", which was, for me, a real eye opener. And it is refreshing to read a writer who calls himself a "christian philosopher". Apart from Ricoeur, I don't know many who express it so clearly. The whole creation explained from this personal point of view is very dynamic and interesting. Although the very concept of "sin" never ceased to puzzle me. Finally, the paintings by John Sloan added a beautiful touch to the whole essay. Sloan was interested by the start of cinema, as Monet was, but in a different way : Monet was attracted by light and movement, while Sloan seemed to favour the mixture of both worlds and arts, cinema and paintings. Sloan asks questions about the new technology, new points of view, echoing the ones we can read here in your essay.

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